Bagpiping in the Garhwal Himalayas: Music Theory and Analytical Approaches to a South Asian Tradition (Jason Busniewski)
Wednesday, January 27, 2021 | 3:30-5 pm PST | Virtual Event | Free and open to the public
Zoom link: tinyurl.com/EthnoW21 | Meeting ID: 880 4630 7897 | Passcode: 3m867k
As part of the UC Santa Barbara Ethnomusicology Forum's UCSB ABD Graduate Student Series, UC Santa Barbara PhD candidate Jason Busniewski will present a lecture titled "Bagpiping in the Garhwal Himalayas: Music Theory and Analytical Approaches to a South Asian Tradition." Since the instrument was first introduced to Britain’s Gurkha Regiments in the late nineteenth century, the Scottish Great Highland Bagpipe has been adopted, adapted, and indigenized to become a key part of the soundscape of India’s Garhwal Himalayas. While South Asia’s Hindustani and Karnatak classical musics have been subject to large amounts of close musical analysis and music theoretical study, the region’s popular and “folk” musics, including those of rural Garhwal, have been largely ignored in these respects, in part due to a shift in disciplinary priorities within the field of ethnomusicology. Following the work of Michael Tenzer and Gabriel Solis, this talk explores the possibilities of music analytical, computational, and music theoretical approaches to understanding the processes through which Garhwali musicians have indigenized Scottish bagpipes in the context of preexisting musical practices and what such approaches can contribute to the broader ethnomusicology of South Asia’s music traditions.