Volume V, Number 1
(Winter 2011)
 
Jocelyne Guilbault

The Question of Multiculturalism in the Arts
in the Postcolonial Nation-State of Trinidad
and Tobago

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Robert Neustadt Reading Spanish American National Anthems: "Sonograms" of National Identity
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Kailan R. Rubinoff

Authenticity as a Political Act:
Straub-Huillet's Chronicle of Anna Magdalena Bach and the Post-War Bach Revival

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Dario Ranocchiari

Between the Bairro and the Nation: Performative Identities of Afro-Lusitan Rap Music in Lisbon
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Eve McPherson

Political History and Embodied Identity
Discourse in the Turkish Call to Prayer
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Eunice Schroeder Recent Books On Music and Politics
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Volume IV, Number 2
(Summer 2010)
Lisa Gilman

An American Soldier’s iPod:
Layers of Identity and Situated Listening in Iraq

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Katelyn Barney &
Elizabeth Mackinlay
“Singing Trauma Trails”: Songs of the Stolen Generations in Indigenous Australia
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Rich Cross

“There Is No Authority But Yourself”:
The Individual and the Collective in British Anarcho-Punk

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David Hinds

A Mailman to make Government Understand:
The Calypsonian (Chalkdust) as Political Opposition in the Caribbean

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Ruth F. Davis

Ethnomusicology and Political Ideology in Mandatory Palestine: Robert Lachmann’s
“Oriental Music” Projects

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Rhonda Pettit Music and Protest in the African American
Literature Course

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Eunice Schroeder Recent Books On Music and Politics
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  About the Authors
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Volume IV, Number 1
(Winter 2010)
Thomas Svatos

Sovietizing Czechoslovak Music:
The “Hatchet-Man” Miroslav Barvík and his Speech The Composers Go with the People

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Yiannis Zaimakis ‘Forbidden Fruits’ and the Communist Paradise:
Marxist Thinking on Greekness
and Class in Rebetika

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Mark Pedelty &
Linda Keefe

Political Pop, Political Fans?
A Content Analysis of Music Fan Blogs

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Alf Arvidsson

Songs with a Message:
Common Themes in Swedish 1970s
Rock/Folk Songs

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Christopher Moore

Music and Politics, Performance,
and the Paradigm of Historical Contextualism
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Eunice Schroeder Recent Books On Music and Politics
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  About the Authors
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Volume III, Number 2
(Summer 2009)


Kay Drefus and Joel Crotty, Guest Editors
Rachel Beckles Willson

Whose Utopia? Perspectives on the
West-Eastern Divan Orchestra

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Graeme Smith Public Multicultural Music
and the Australian State

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Joel Crotty

Promoting Romanian Music Abroad:
The Rumanian Review
(1946-1956)

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Petra Garberding

“We Take Care of the Artist”: The German Composers' Meeting in Berlin, 1934
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Helen O'Shea

Defining the Nation, Confining the Musician:
The Case of Irish Traditional Music

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Eunice Schroeder Recent Books On Music and Politics
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  About the Authors
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Volume III, Number 1
(Winter 2009)

Kay Drefus and Joel Crotty, Guest Editors
Kay Dreyfus

The Foreigner, the Musicians’ Union, and the State in 1920s Australia: A Nexus of Conflict
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Julie Waters Proselytizing the Prague Manifesto in Britain: The Commissioning, Conception, and Musical Language of Alan Bush's “Nottingham” Symphony
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Renata Pasternak-Mazur

The Black Muse: Polish Hip-Hop as the Voice of “New Others” in the Post-Socialist Transition
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Nino Tsitsishvili National Ideologies in the Era of Global Fusions: Georgian Polyphonic Song as a UNESCO-sanctioned Masterpiece of Intangible Heritage
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Claire Levy

Folk in Opposition? Wedding Bands and the New Developments in Bulgarian Popular Music
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Eunice Schroeder Recent Books On Music and Politics
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  About the Authors
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Volume II, Number 2
(Summer 2008)
Michael Beckerman

The Dark Blue Exile of Jaroslav Ježek
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James Wierzbicki Hanns Eisler and the FBI
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Brana Mijatovic

"Throwing Stones at the System":
Rock Music in Serbia during the 1990s

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Damien Sagrillo The Notion of Humankind According to the Music-pedagogical Conception of Former Socialist States, Exemplified in the Former German Democratic Republic
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Dard Neuman

Music & Politics in the Classroom:
Music, Politics and Protest

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Eunice Schroeder Recent Books On Music and Politics
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  About the Authors
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Volume II, Number 1
(Winter 2008)
Stefan Strötgen

“I Compose the Party Rally...”:
The Role of Music in Leni Riefenstahl's Triumph of the Will
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Daniel Koglin Marginality–A Key Concept in Understanding the Resurgence of Rebetiko in Turkey
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Amy Beal

Music & Politics in the Classroom:
“Politics and Protest in
American Musical History”
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Christina Gier Gender, Politics and the Fighting Soldier's Song in America during World War I
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Eva Moreda-Rodriguez

Italian Musicians in Francoist Spain, 1939-1945: The Perspective of Music Critics
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Derek Katz Music and Politics on Disc, 2007
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Eunice Schroeder Recent Books On Music and Politics
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  About the Authors
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Volume I, Number 2
(Summer 2007)
Martin Lücke Vilified, Venerated, Forbidden: Jazz in the Stalinist Era
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Robert Neustadt Reading Indigenous and Mestizo Musical Instruments: The Negotiation of Political and Cultural Identities in Latin America
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Matthew Shaftel Singing a New Song: Stephen Foster and the New American Minstrelsy
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Guillermo Wilde

Toward a Political Anthropology of Mission Sound: Paraguay in the 17th and 18th Centuries
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Hon-Lun Yang Power, Politics, and Musical Commemoration: Western Musical Figures in the People’s Republic of China 1949-1964
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Eunice Schroeder Recent Books On Music and Politics
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Volume I, Number 1
(Winter 2007)
Michael Beckerman Postcard from New York—Trio from Terezin
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Guido Fackler Music in Concentration Camps 1933-1945
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Patricia Hall Music and Politics: A Class for Non-Majors
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Jeremy Smith William Byrd's Fall From Grace and his First Solo Publication of 1588: A Shostakovian "Response to Just Criticism"?
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Derek Katz Music and Politics on Disc, 2006
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Eunice Schroeder Recent Books On Music and Politics
View Online | Download PDF
Music & Politics, ISSN 1938-7687