Submissions in electronic format, will be reviewed by the Editorial Board currently consisting of:

Paul Anderson (University of Michigan, Ann Arbor) Black studies, interactions between American music, social thought and literature

Paul Attinello (University of Newcastle) Queer identities, music and AIDS

Laura Basini (California State University, Sacramento) Nineteenth- and twentieth-century Italian nationalism, opera studies, film music

Michael Beckerman (NYU) Music under communists, music and secrets, music and the Holocaust

Dick Flacks (UCSB) Music and social movements

Shirli Gilbert (University of Michigan, Ann Arbor) Music and resistance, the Holocaust, apartheid South Africa

Nancy Guy (UCSD) Musics of Taiwan and China, music and state power, music in environmental activism

Tricia Rose (Brown University) Black popular music, music and technology, hip hop, cross racial and gendered exchanges through music

Jeremy Smith (University of Colorado, Boulder) Elizabethan music, music and print culture, William Byrd, Thomas Morley and national affairs

Joseph N. Straus (CUNY) Feminist theory, the social and historical construction of disability

Send submissions to: musicandpolitics@music.ucsb.edu.