Patricia Hall
Associate Professor
20th century music
Music Building #1109
805-893-4001
19th- and 20th-century theory, Schenkerian analysis, the music of Alban Berg, film music, twentieth-century musical sketches, music and politics. Author of A View of Berg’s ‘Lulu’ Through the Autograph Sources (University of California Press, 1997), winner of the ASCAP Deems-Taylor Award; Co-editor of A Handbook to Twentieth-Century Musical Sketches (Cambridge University Press, 2004); and author of A View of Berg’s ‘Wozzeck’ Through the Autograph Sources (Oxford University Press, in progress). Her articles include ”The Progress of a Method: Berg’s Tone-Rows for Lulu” (Musical Quarterly, 1985); “Berg’s Sketches for Lulu” (The Berg Companion, ed. Douglas Jarman, Macmillan Press Ltd., 1990); “Role and Form in Berg’s Sketches for Lulu” (Alban Berg, Historical and Analytical Perspectives, ed. David Gable and Robert Morgan (Oxford University Press, 1991); “Compositional Process in Wozzeck and Lulu: A Glimpse of Berg’s Atonal Method” in The Cambridge Companion to Berg, ed. Anthony Pople (Cambridge University Press, 1997); “Two Sketches for Alban Berg’s Lulu” in The Rosaleen Moldenhauer Memorial: “Music History from the Primary Sources.” A Guide to the Moldenhauer Archives, ed. Jon Newsom and Alfred Mann (Library of Congress, 2000); “An Electronic Facsimile of the Sketches for Wozzeck” (Computing in Musicology, 2001); “A Tale of Two Sketchbooks: Reconstructing and Deciphering Berg’s Sketches for Wozzeck” in A Handbook to Tweniteth-Century Musical Sketches, eds. Patricia Hall and Friedemann Sallis (Cambridge University Press, 2004); “Berg’s Sketches and the Inception of Wozzeck: 1914-18” (The Musical Times, 2006).
